From the Summer 2014 Musical Times, available now

Articles

Rita Steblin: ‘Who was Beethoven’s “Elise”? A new solution to the mystery’

Kieran Fenby-Hulse: ‘Beethoven, literature, and the idea of tragedy’

Andrew Thomson: ‘Mélisande’s sickroom and Baudelaire’s angels: secret programmes in Berg’s Violin Concerto’

Arnold Whittall: ‘Rotations and reflections: the musical presence of George Benjamin

Beverly Jerold: ‘Tempi in the era of Bach’

Leo Black: ‘The birth of a dynasty: remembering Francesco Ticciati’



Book reviews

by Andrew Thomson, Arnold Whittall, Patricia Howard and Peter Williams of

Richard Chesser & David Wyn Jones, edd.: The land of opportunity: Joseph Haydn and Britain
Robert G. Rawson: Bohemian baroque: Czech musical culture and style, 1600–1750
Alexander J. Fisher: Music, piety, & propaganda: the soundscapes of Counter-Reformation Bavaria
Stephen Walsh: Musorgsky and his circle
Michael Burden: Regina Mingotti: diva and impresario at the King’s Theatre, London
Stephen Lloyd: Constant Lambert: beyond The Rio Grande

From the Spring 2014 Musical Times, available now

Articles


Arnold Whittall: ‘Parsifal 2014: composition and culture’
Bojan Bujić: ‘Language and identity: Wagner and some dilemmas of early modernism’
Kevin O’Connell: ‘Why is Berg’s op.6 still so difficult to understand?’
Leo Black: ‘A rearguard action for the avant-garde: 23
Rodney Stenning Edgecombe: ‘Topoi and melodic morphology in the operas of Donizetti’
Peter Williams: ‘Bach and the organ’
Olga Baird: ‘Pugnani and Viotti’s European tour: new materials from the memoirs of Ludwig-Wilhelm Tepper de Ferguson’



Book reviews

by Andrew Thomson, Arnold Whittall, Peter Phillips, Matthias Range and Peter Williams of

Barbara L. Kelly: Music and ultra-modernism in France: a fragile consensus, 1913–1939
Alain Frogley & Aidan J. Thomson, edd.: The Cambridge companion to Vaughan Williams
Phillip A. Cooke & David Maw, edd.: The music of Herbert Howells
Monty Adkins & Michael Russ, edd.: The Roberto Gerhard companion
Christopher Mark: Britten: an extraordinary life
Keith Potter, Kyle Gann & Pwyll ap Siôn, edd.: The Ashgate research companion to minimalist and postminimalist music
Pwyll ap Siôn, ed.: Michael Nyman: collected writings
Robert Adlington: Composing dissent: avant-garde music in 1960s Amsterdam
Kevin C. Karnes: A kingdom not of this world: Wagner, the arts, & utopian visions in fin-de-siècle Vienna
Willem Elders: Josquin des Prez and his musical legacy: an introductory guide
Christian Bährens: Händels Utrechter Te Deum: Geschichte – Musik – Interpretation
Trevor Herbert & Helen Barlow: Music and the British military in the long nineteenth century

From the Winter 2013 Musical Times, available now

Articles

Chris Walton: ‘The many lives of Marcel Sulzberger’

Marten Noorduin: ‘Czerny’s impossible metronome marks’

Benjamin Wolf: ‘The SPNM 1943–1975: a retrospective’

Michael Hooper: ‘The well-tempered oboe and the tradition of innovation’


Book reviews

by Andrew Thomson, Leo Black, Arnold Whittall, Peter Williams and Patricia Howard of

John Drysdale: Elgar’s earnings

Annegret Fauser: Sounds of war: music in the United States during World War II

Robert Pascall: Brahms beyond mastery: his Sarabande and Gavotte and its recompositions

Tamara Levitz, ed.: Stravinsky and his world

Hans Keller: Britten: essays, letters and opera guides

Gregory S. Johnston: A Heinrich Schütz reader: letters and documents in translation

William Gibbons: Building the operatic museum: eighteenth-century opera in fin-de-siècle Paris

From the Autumn 2013 Musical Times, available now


Articles

Allan W. Atlas: ‘On the cyclic integrity of Vaughan Williams’s Songs of travel: one new question – no new answer’

Minji Kim: ‘ “The rise and fall of empires”: predestination and free will in Jennens and Handel’s Belshazzar

Franco Sciannameo: ‘Ennio Morricone at 85: a conversation about his “mission” ’

Rodney Stenning Edgecombe: ‘The elegiac epithalamium: a romantic topos’

Robert Michael Anderson: ‘Polemics or philosophy? Musical pathology in Eduard Hanslick’s Vom Musikalisch-Schönen


Book reviews

by Leo Black, Andrew Thomson, Arnold Whittall, David CormackPatricia Howard, Peter Williams and David Wright of

Scott Burnham: Mozart’s grace
Simon Morrison: Lina & Serge: the love & wars of Lina Prokofiev
Igor Stravinsky: The rite of spring: facsimile of the autograph full score
Igor Stravinsky: The rite of spring: facsimile of the version for piano four hands
Hermann Danuser & Heidy Zimmermann, edd.: Avatar of modernity: The rite of spring reconsidered
Robert Craft: Stravinsky: discoveries & memories
John W. Barker: Wagner and Venice fictionalized
George Rochberg: A dance of polar opposites: the continuing transformation of our musical language
Lawrence Kramer: Expression and truth: on the music of knowledge 
Guy Capuzzo: Elliott Carter’s What next?: communication cooperation, and separation
Joel Sachs: Henry Cowell: a man made of music
Barbara Eichner: History in mighty sounds: musical constructions of German national identity 1848–1914
Nicole Grimes, Siobhán Donovan & Wolfgang Marx, edd.: Rethinking Hanslick: music, formalism, and expression
Thomas Adès: Full of noises: conversations with Tom Service 
Neil Jenkins: John Beard: Handel and Garrick’s favourite tenor
Sarah McCleave: Dance in Handel’s London operas 
Zoltan Göncz: Bach’s testament: on the philosophical and theological background of The art of fugue
Anthony Hammond: Pierre Cochereau: organist of Notre-Dame 
Daniel Jay Grimminger: Sacred song and the Pennsylvania Dutch
Kenneth Gloag & Nicholas Jones, edd.: The Cambridge companion to Michael Tippett

From the Summer 2013 Musical Times, available now

Articles
Arnold Whittall: ‘Britten and Lutosławski: taming the 20th-century avant garde’
Andrew Thomson: ‘Kill or cure? Eros and death instincts in Mahler 6 and Elgar 2’
Richard Turbet: ‘Music by Byrd and his British contemporaries in European libraries’
Mary Cyr: ‘Rameau and the viol: the enigma of the “Musette en rondeau” ’
Michael Baker: ‘A study in phrase rhythm: Werner’s Curious musical calendar
Simon Fleming: ‘John Pixell: an 18th-century vicar and composer’
Simon Andrews: ‘Is Mozart the author of the orchestration of bars 37–48 of the Requiem aeternam of K.626?’
Karen McAulay: ‘ “Appropriate melodies” and “natural modes”: two Victorian Scottish songbooks’

Book reviews
by Arnold Whittall, Andrew ThomsonPatricia Howard and David Wright of

Philip Reed & Mervyn Cooke, edd.: Letters from a life: selected letters of Benjamin Britten, volume six 1966–1976
Neil Powell: Benjamin Britten: a life for music
Paul Kildea: Benjamin Britten: a life in the twentieth century
David CH WrightThe Associated Board of the Royal Schools of Music: a social and cultural history
Charles Ford: Music, sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte
Clive McClelland: Ombra: supernatural music in the eighteenth century
Marina Frolova-Walker & Jonathan Walker: Music and Soviet power 1917–1932

What We Really Do


Newly published

WHAT WE REALLY DO
The Tallis Scholars
second edition

by Peter Phillips






For ordering details click here.

From the Spring 2013 Musical Times, available now


Articles

Arnold Whittall: ‘Lohengrin and the constraints of romantic opera’
David Cormack: ‘Wagner curiosities in the Bergen Public Library’
Leo Black: ‘Recalled to life: mature reflections on Schubert’s Lazarus
Judith Chernaik: ‘Mendelssohn reconsidered’
Markus Rathey: ‘Between Heine, Werner and Bach: two quotations in Mendelssohn’s Fifth Symphony op.107’
Donald Burrows: ‘Reconstructing Handel’s performances of L’Allegro
Olive Barlow & Thelma Wilson: ‘Handel, Eccles and the birthday celebrations for Queen Anne in 1711’
Olga Baird: ‘Early settings of the Ode to joy: Schiller–Beethoven–Tepper’

Book reviews

by Patricia Howard, Andrew Thomson
, Arnold Whittall and Peter Williams of

Sergey Prokofiev: Diaries 1924–1933: prodigal son
Friedemann Sallis, Robin Elliott & Kenneth DeLong, edd.: Centre and periphery, roots and exile: interpreting the music of István Anhalt, György Kurtág, and Sándor Veress
AM Garnham: Hans Keller and internment: the development of an émigré musician 1938–48
Hans Keller & Milein Cosman: Stravinsky the music-maker: writings, prints and drawings
Richard Cohn: Audacious euphony: chromaticism and the triad’s second nature
Philip Olleson, ed.: The journals and letters of Susan Burney
Giorgio Sanguinetti: The art of partimento: history, theory and practice
Nicholas Baragwanath: The Italian traditions & Puccini: compositional theory and practice in nineteenth-century opera
Peter Dickinson, ed.: Lennox Berkeley and friends: writings, letters and interviews